Persian Letters
The exhibition places Persian letters at the center of the visual experience, treating them as living forms capable of carrying thought, emotion and time.
A solo exhibition of calligraphic works by Afsaneh Parchekani, centered on Persian letters, written identity, cultural memory and the contemporary meaning of language.
Asare Angosht, translated as Fingerprint, presents a body of calligraphic works in which Persian letters become more than visual forms. They act as traces of language, memory, identity and cultural continuity.
The collection reflects on the role of Persian letters in carrying thought and meaning, while placing the viewer in front of questions rather than fixed answers. The works invite a slower form of looking: reading the image, seeing the letter, and sensing the social atmosphere beneath the surface.
A visual archive of the Asare Angosht / Fingerprint exhibition catalogue, arranged page by page from the original exhibition material.
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Back Cover
The exhibition places Persian letters at the center of the visual experience, treating them as living forms capable of carrying thought, emotion and time.
The works move between painting and calligraphy. The written mark becomes a gesture, a surface, and a question about how language shapes perception.
Coming from a background in journalism, Parchekani brings a reflective view of contemporary life into the work, allowing the pieces to carry subtle social tension.
In this exhibition, the letter becomes that mark: personal, cultural, repeated, fragile and unmistakably human.
After Fingerprint, the artist’s later solo exhibition moved from letters and written identity toward walls, rupture, structure and memory.
For more information about Asare Angosht, available works, exhibition documentation or collaboration requests, please get in touch.