The Wall
The wall appears as a living surface: a place that absorbs pressure, keeps memory, and carries the marks of time.
A solo exhibition by Afsaneh Parchekani, exploring walls as visual fields of pressure, memory, rupture and release. In this body of work, the wall is not silent; it becomes a witness, a surface of tension, and a place where forms begin to break.
Faryade Divarha continues Afsaneh Parchekani’s visual research into signs, memory and social experience. While her previous exhibition, Asare Angosht, began from letters and written identity, this exhibition moves toward the image of the wall: a surface that holds pressure, silence, damage and memory.
The works create a visual dialogue between order and collapse. Lines, forms and fragments appear as if they are trying to escape their own structure. The wall becomes a field of resistance — not only a physical surface, but a psychological and historical one.
The wall appears as a living surface: a place that absorbs pressure, keeps memory, and carries the marks of time.
Forms in the exhibition move between construction and collapse, suggesting the moment when meaning begins to break open.
The exhibition looks at memory not as a fixed image, but as a layered, unstable and emotionally charged surface.
A visual archive of the Faryade Divarha exhibition catalogue, arranged page by page from the original exhibition material.
Cover
Faryade Divarha
Page 001
Catalogue Page
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Pages 010–011
Double Page
Page 012
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Final Page
Before Faryade Divarha, Afsaneh Parchekani presented Asare Angosht, a solo exhibition centered on Persian letters, calligraphic forms, written identity and the visual trace of language.
If Faryade Divarha moves toward walls, rupture and memory, Asare Angosht begins from the letter itself — the written mark as a fingerprint of culture, presence and identity.
View Asare AngoshtFor more information about Faryade Divarha, available works, documentation or collaboration requests, please get in touch.